WWE: Live Tickets at Save Mart Cente on August 2, 2015 in Fresno, California For Sale

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Save Mart Center
Fresno, CA
Sunday
8/2/xxxx
7:00 PM
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State Farm Arena
Hidalgo, TX
Saturday
8/1/xxxx
7:30 PM
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Citizens Business Bank Arena - CA
Ontario, CA
Saturday
8/1/xxxx
7:30 PM
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Save Mart Center
Fresno, CA
Sunday
8/2/xxxx
7:00 PM
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Stockton Arena
Stockton, CA
Sunday
8/2/xxxx
7:00 PM
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SAP Center
San Jose, CA
Monday
8/3/xxxx
4:30 PM
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Sleep Train Arena
Sacramento, CA
Tuesday
8/4/xxxx
7:00 PM
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Save On Foods Memorial Centre
Victoria, Canada
Saturday
8/8/xxxx
7:30 PM
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Pacific Coliseum
Vancouver, Canada
Sunday
8/9/xxxx
7:00 PM
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Xfinity Arena At Everett
Everett, WA
Monday
8/10/xxxx
4:30 PM
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Moda Center at the Rose Quarter
Portland, OR
Tuesday
8/11/xxxx
7:00 PM
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Tyson WWE: Lives Center
Sioux City, IA
Friday
8/14/xxxx
7:30 PM
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Joe Louis Arena
Detroit, MI
Saturday
8/15/xxxx
7:30 PM
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Denny Sanford Premier Center
Sioux Falls, SD
Saturday
8/15/xxxx
7:30 PM
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The Sanford Center
Bemidji, MN
Sunday
8/16/xxxx
5:00 PM
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Fargodome
Fargo, ND
Sunday
8/16/xxxx
5:00 PM
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Target Center
Minneapolis, MN
Monday
8/17/xxxx
6:30 PM
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Resch Center
Green Bay, WI
Tuesday
8/18/xxxx
7:00 PM
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Webster Bank Arena At Harbor Yard
Bridgeport, CT
Friday
8/21/xxxx
7:30 PM
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Barclays Center
Brooklyn, NY
Saturday
8/22/xxxx
7:30 PM
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Barclays Center
Brooklyn, NY
Sunday
8/23/xxxx
7:30 PM
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Barclays Center
Brooklyn, NY
Monday
8/24/xxxx
7:30 PM
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Dunkin Donuts Center
Providence, RI
Tuesday
8/25/xxxx
7:00 PM
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Amway Center
Orlando, FL
Saturday
8/29/xxxx
7:30 PM
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American Airlines Arena
Miami, FL
Tuesday
9/1/xxxx
7:00 PM
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Hampton Coliseum
Hampton, VA
Friday
9/4/xxxx
7:30 PM
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Wildwoods Convention Center
Wildwood, NJ
Saturday
9/5/xxxx
7:30 PM
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John Paul Jones Arena
Charlottesville, VA
Saturday
9/5/xxxx
7:30 PM
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Wicomico Civic Center
Salisbury, MD
Sunday
9/6/xxxx
7:00 PM
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EagleBank Arena
Fairfax, VA
Sunday
9/6/xxxx
7:00 PM
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Royal Farms Arena
Baltimore, MD
Monday
9/7/xxxx
7:30 PM
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Rexall Place
Edmonton, Canada
Friday
9/11/xxxx
7:30 PM
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Scotiabank Saddledome
Calgary, Canada
Saturday
9/12/xxxx
7:30 PM
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Von Braun Center Arena
Huntsville, AL
Saturday
9/12/xxxx
7:30 PM
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BancorpSouth Arena
Jonesboro, AR
Sunday
9/13/xxxx
5:00 PM
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Fedex Forum
Memphis, TN
Monday
9/14/xxxx
6:30 PM
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Verizon Arena
North Little Rock, AR
Tuesday
9/15/xxxx
7:00 PM
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Centre Bell
Montreal, Canada
Friday
9/18/xxxx
7:30 PM
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Ford Park Arena
Beaumont, TX
Saturday
9/19/xxxx
7:30 PM
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Toyota Center - TX
Houston, TX
Sunday
9/20/xxxx
6:30 PM
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Laredo Energy Arena
Laredo, TX
Monday
9/21/xxxx
6:30 PM
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American Bank Center
Corpus Christi, TX
Tuesday
9/22/xxxx
7:00 PM
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First Niagara Center
Buffalo, NY
Monday
9/28/xxxx
7:30 PM
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Times Union Center
Albany, NY
Tuesday
9/29/xxxx
7:00 PM
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TD Garden
Boston, MA
Monday
10/5/xxxx
7:30 PM
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Wells Fargo Center - PA
Philadelphia, PA
Tuesday
10/6/xxxx
7:00 PM
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Scottrade Center
Saint Louis, MO
Saturday
10/10/xxxx
7:30 PM
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Allstate Arena
Rosemont, IL
Monday
10/12/xxxx
6:30 PM
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US Bank Arena
Cincinnati, OH
Tuesday
10/13/xxxx
7:00 PM
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American Airlines Center
Dallas, TX
Monday
10/19/xxxx
6:30 PM
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Philips Arena
Atlanta, GA
Sunday
11/22/xxxx
7:30 PM
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Bridgestone Arena
Nashville, TN
Monday
11/23/xxxx
6:30 PM
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Bankers Life Fieldhouse
Indianapolis, IN
Tuesday
11/24/xxxx
7:00 PM
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Sprint Center
Kansas City, MO
Saturday
11/28/xxxx
7:30 PM
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Consol Energy Center
Pittsburgh, PA
Monday
11/30/xxxx
7:30 PM
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Giant Center
Hershey, PA
Tuesday
12/1/xxxx
7:00 PM
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Smoothie King Center
New Orleans, LA
Monday
1/11/xxxx
6:30 PM
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Nationwide Arena
Columbus, OH
Monday
1/18/xxxx
7:30 PM
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WrestleMania XXXII Tickets
AT&T Stadium
Arlington, TX
Sunday
4/3/xxxx
TBD
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incident, incident only, and incident not merely of a naif but of a stock kind, for their staple. There are striking situations, even striking phrases, here and there; there is plenty of The English Novel 11 variety in scene, and more than is sometimes thought in detail; but the motive?and?character?interest is rarely utilised as it might be, and very generally is not even suggested. There is seldom any real plot or "fable"--only a chain of events: and though no one but a very dull person will object to the supernatural element, or to the exaggerated feats of professedly natural prowess and endurance, it cannot be said that on the whole they are artistically managed. You feel, not merely that the picture would have been better if the painter had taken more pains, but that the reason why he did not is that he did not know how. Sir Thomas Malory, himself most unknown perhaps of all great writers, did know how; and a cynical person might echo the I nunc of the Roman satirist, and dwell on the futility of doing great things, in reference to the fact that it used to be fashionable,
and is still not uncommon, to call Malory a "mere compiler." Indeed from the direction which modern study so often takes, of putting inquiry into origins above everything, and neglecting the consideration of the work as work, this practice is not likely soon to cease. But no mistake about the mysterious Englishman (the place?names with which the designation is connected are all pure English) is possible to any one who has read his book, and who knows what prose fiction is. The Noble Histories of King Arthur, La Morte d'Arthur, The Story of the most Noble and Worthy King Arthur, The Most Ancient and Famous History of the Renowned Prince Arthur, The Birth, Life, and Acts of King Arthur --call it by whichever name anybody likes of those which various printers and reprinters have given it--is one of the great books of the world. If they can give us any single "French book"--the reference to which is a commonplace of the subject--from which it was taken, let them; they have not yet. If they point out (as they can) French and English books from which parts of it were taken, similar
things may be done with Dante and Chaucer, with Shakespeare and Milton, and very probably could have been done with Homer. It is what the artist does with his materials, not where he gets them, that is the question. And Malory has done, with his materials, a very great thing indeed. He is working no doubt to a certain extent blindly; working much better than he knows, and sometimes as he would not work if he knew better; though whether he would work as well if he knew better is quite a different point. Sometimes he may not take the best available version of a story; but we must ask ourselves whether he knew it. Sometimes he may put in what we do not want: but we must ask ourselves whether there was not a reason for doing so, to him if not to us. What is certain is that he, and he only in any language, makes of this vast assemblage of stories one story, and one book. He does it (much more than half unconsciously no doubt) by following the lines of, as I suppose, Walter Map, and fusing the different motives, holding to this method even in parts of the legend with which, so far